We first meet the intriguing heroine of “Anaïs in Love,” appropriately sufficient, when she’s speeding. The opening scene of the French romantic comedy has her working down a Paris road with a bouquet of flowers.
She’s late, which is a continuing factor. Anaïs is late on appointments, late on lease, late on handing over her thesis. So she rushes from one factor to the following, at all times dwelling within the current, usually leaving slightly cloud in her wake, counting on her appeal and appears. Her ex-boyfriend calls her a “bulldozer.”
“My problem is I’m too carefree,” she admits.
Charline Bourgeois-Tacquet, the movie’s director and screenwriter, has crafted a portrait of a maddeningly headstrong but aimless girl in a sundress, not precisely a manic pixie French dream lady however maybe adjoining.
Anaïs, on the crossroads age of 30, is performed by Anaïs Demoustier, an actor Bourgeois-Tacquet highlighted in a earlier brief and expanded right here, writing the script together with her in thoughts. The ultimate movie is called after the actor, blurring the road between artwork and actuality.
Individuals are additionally studying…
Who’s Anaïs? A girl who feels claustrophobic in elevators, likes mountaineering, doesn’t like sharing a mattress, wears the identical costume she wore at 17 and has misplaced her bicycle lock however nonetheless buys wine for a celebration.
Bourgeois-Tacquet, making her characteristic debut, struggles to search out methods to inform the viewers what is going on on her heroine’s head. To be sincere, Anaïs struggles, too. In a single scene, she bares her soul to a Korean couple and in one other she writes a letter to her mom and admits “hardship scares me and that makes me selfish.” However the Korean couple do not converse French and Anaïs crumples up the letter earlier than sending it.
Really, Anaïs is at all times speeding nevertheless it’s not clear to the place. She has left her up to date, typical lover in favor of being an older man’s aspect lover however isn’t any happier. “Do you think I have a problem? That I don’t know how to love?” she asks. She research seventeenth century descriptions of ardour, however has none in her life.
Maybe she’s been wanting within the mistaken place. Whereas doing a little digging into her lover’s longtime accomplice, she thinks she’s present in her a brand new romantic match — a profitable and glamorous 56-year-old author performed fantastically and sensually by Valeria Bruni Tedeschi. The older girl appears to have every thing the younger desires.
Now Anaïs shifts into full pursuit mode, arranging conferences together with her crush, blowing off her job and going deeper in debt. The 2 girls slowly circle one another, rigorously, gingerly, with stolen moments.
“What do you want from me?” the older woman asks her. “Nothing. I just wanted to know you,” Anaïs says. “I think we could get along. I think we’re alike.” Then they share a wild apple, a chew straight from the Backyard of Eden.
Pursuing the accomplice of your lover complicates issues however the movie actually clicks into place as soon as the 2 girls come collectively. Solely as much as that time do you notice that nearly each man within the movie is, nicely, ineffectual.
“Anaïs in Love” steadily builds to a reckoning for each girls, regardless of a poor try at making the awkward trio of interconnected lovers humorous and a not-that-funny diversion with a pet lemur on Xanax (arduous to clarify). Ultimately, Bourgeois-Tacquet does not want something however the fireworks between Demoustier and Tedeschi.
“Anaïs in Love,” a Magnolia Photos launch in French with subtitles that hits theaters April 29, is just not rated however has intercourse, nudity and grownup conditions. Working time: 98 minutes. Two and a half stars out of 4.
MPAA definition of R: Restricted. Underneath 17 requires accompanying mother or father or grownup guardian.
Mark Kennedy is at http://twitter.com/KennedyTwits
Copyright 2022 The Related Press. All rights reserved. This materials will not be revealed, broadcast, rewritten or redistributed with out permission.