Opera Southwest declares 2022-23 season

Opera Southwest will rejoice its fiftieth anniversary wrapped in a season of traditional, comedian and resurrected operas starring a werewolf and Zorro.

Opening in September on the Albuquerque Museum, “Le Loup-garou” is a one-act work by Louise Bertin. The identify means werewolf in French. It was the primary opera written by a girl to have been professionally produced. Introduced on the Opéra-Comique in Paris in 1827, it’s seldom seen right this moment.

“It’s definitely a comedy,” OSW government director Tony Zancanella mentioned. “It’s one of the few works from this era by a woman.”

Director Elizabeth Margolius will lead a solid of Opera Southwest’s 2022 apprentice artists. The opera stars tenor César Delgado and soprano Laura León.

In October, the season strikes to its Nationwide Hispanic Cultural Middle residence with “Zorro,” a brand new opera by Héctor Armienta, the creator of “Bless Me, Ultima,” a 2018 OSW premier.

“It’s going to be a very hot ticket,” Zancanella mentioned.

The OSW will stage the present as a part of its fifth 12 months of partnership with the NHCC on its Hispanic opera collection. These productions draw a considerably extra numerous viewers to the opera home, Zancanella mentioned.

Octavio Cardenas, who staged “Bless Me, Ultima,” Salvatore Sciarrino’s “Lohengrin,” and Ástor Piazzolla’s “María de Buenos Aires” with OSW, will return for Zorro’s swashbuckling adventures.

In February, 2023, the music of OSW inventive director Anthony Barrese’s favourite composer Rossini takes the stage with “Le Comte Ory.” It stars tenor Chris Bozeka and soprano Lindsay Ohse.

“We have done more Rossini operas than any company in America,” Zancanella mentioned. The rarely-heard comedian opera accommodates among the composer’s most colourful orchestral writing.

Rely Ory is a good-looking rogue who finds all girls irresistible. Jokes, misunderstandings and gender-bending disguises – together with knights dressed as nuns – abound on this story of deception and seduction.

The season will shut in March with the Puccini traditional “Turandot.” First staged in 1926, it was the composer’s last opera, a fairy story set in China. The plot focuses on a Chinese language princess who challenges suitors to reply three riddles. Those that fail will lose their heads. The corporate is partnering with Chinese language director Xinxin Tang to create a brand new manufacturing celebrating the flexibility of artwork to transcend cultural borders. The opera stars soprano Michelle Johnson and tenor Rodell Rosel.

Zancanella credit the OSW’s long-term survival with neighborhood assist.

“Certainly over the last 15-17 years, the company has been growing at a good clip,” he mentioned. “It’s been a labor of love.”

The 2019 fireplace and flood that broken a part of the NHCC, paired with the shutdown and restrictions of the pandemic, supplied the most important challenges, he added.

Each income and ticket gross sales are nonetheless down 20-25%, a decline Zancanella blamed on the lingering ghost of COVID-19, though final spring’s “Frida,” based mostly on the lifetime of Frida Kahlo, bought out.

However fundraising is the second-highest within the firm’s lifetime, Zancanella mentioned.

“We feel like we’re just hitting our stride and we’re more vibrant than the company’s ever been.”

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