To say Bryan Konefsky is a cinephile is an understatement.
He’s the mastermind behind the Experiments in Cinema movie competition which is on its seventeenth model this 12 months.
“We went a little bit nuts this year and put together 18 programs,” Konefsky says.
This 12 months’s competition runs by means of Could 23 and is digital. Konefsky is hoping to carry the competition again subsequent 12 months to an in-person occasion.
“We usually get about 500 people in person,” he says. “When we’ve gone online, we’ve topped 3,500 people. We’ll do some sort of hybrid event moving forward because online access does reach more people.”
Experiments in Cinema is an annual, transnational competition celebrating the present traits and historical past of worldwide cinematic experimentation.
Konefsky says it is usually a noncompetitive competition produced by Basement Films.
“This year we are celebrating our 17th anniversary with a host of unique screenings (100 films from 30 countries),” Konefsky says. “EIC also features special lectures, curated programs and workshops. The goal of Experiments in Cinema is to bring the international community of moving image artists to New Mexico to then inspire a new generation of movie makers to recognize the value of their media-voices and create films in ways we never imagined possible.”
Konefsky says this 12 months, the competition invited Margarita Milagros from Colombia to current her multi-media efficiency work; Mike Morris to curate a program of movies from the William Jones Film and Video Assortment; Chip Lord and mates curated a Beautiful Transferring Corpse challenge; Charles Woodman and Co. to current an improvisational multi-media efficiency; and EIC’s digital artist-in-residence, Vanessa Renwick will current a program of her movies.
Moreover, EIC will current Zoe Beloff’s new 60 minute movie “The Tramp’s New World.”
“This is the first time Zoe’s had a film accepted by a domestic festival in 30 years,” Konefsky says. “There’s sort of a parallel for the festival. It has a bigger international reputation more than domestic, just like Zoe’s films do.”
Experiments in Cinema’s recognition continues to develop outdoors of america.
Konefsky remembers beginning the competition practically 20 years in the past earlier than YouTube and Vimeo have been fashionable.
“We would show films on all different media,” he says. “We’d have VHS tapes and 8 mm films. Keif (Henley) at the Guild Cinema has always been gracious in helping have a home for the festival. It’s wonderful to see how far we’ve come. There’s always a place for experimental film.”