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Architecture Worthy of ‘The World’s Borough’


For the higher a part of a decade, Queens-based architect and artist Rafael Herrin-Ferri traversed Queens along with his digital camera, taking images of its distinctive housing inventory. Week after week, he crisscrossed the town’s largest borough, capturing the bright-blue seashore bungalows of the Rockaways, the reimagined Tudors of Auburndale, and the pastel-colored Queen Annes of Woodside. The venture, which slowly grew in scope over time, ultimately grew to become generally known as “All the Queens Houses,” with an eponymously titled e-book launched in October 2021.

Much like the work of German photographers Bernd and Hilla Becher, who get a shout-out within the e-book’s foreword, Herrin-Ferri’s images derive from a scientific method. Every shot follows a template—clear, straight traces paired with constant lighting (achieved partly by taking pictures on cloudy days, which evens out the daylight) and framing. Nonetheless, dissimilar to the Bechers’ stark black and white pictures, Herrin-Ferri’s are exuberantly colourful, each actually and figuratively. The pictures shine a lightweight on particulars which might be typically ignored in formal architectural surveys. John Hill, architect and creator of the architecture-book-review weblog Archidose, wrote that Herrin-Ferri’s venture is harking back to the guidebooks created by Tokyo-based structure agency Atelier Bow-Wow, in that Herrin-Ferri’s e-book additionally focuses on the usually missed constructed setting. Certainly, Herrin-Ferri’s work captures the unbridled expression that’s so specific to Queens, one thing I do know nicely as a Queens native. I can nonetheless vividly recall the summer season weekend in 2001 when my mom determined to color the metallic door of our bone-white Queens residence a vibrant cherry pink. In Queens, any given home’s designs and particulars are simply as numerous as its residents.

Maybe the melange of Queens was written within the stars—in spite of everything, Flushing Meadows was the location of the World’s Honest in each 1939 and 1964. The motto of the 1939 honest, “The World of Tomorrow,” looks like foreshadowing now: At present, practically half of the borough’s 2.3 million residents are foreign-born and over 100 completely different languages are spoken right here; Guinness World Data has known as it “the most diverse urban place on the planet.”

The Voice spoke with Herrin-Ferri about his exploration of  the various completely different pockets of Queens, the artists he finds inspirational, and what it was like photographing “The World’s Borough.” (This interview has been edited for size and readability.)

Brittany Natale: How did the venture come about? Do you know from the start simply how massive it was going to be?

Rafael Herrin-Ferri: I’ve all the time been keen on photographing the vernacular of issues, the missed constructed setting. I had a weblog earlier than this [project] known as “Architecture Happens,” and the subtitle was “Modern moments in everyday building.” It was vignettes of issues and vernacular buildings that regarded unintentionally fashionable. That was the kind of overarching theme. That grew to become type of a touchdown web page for lots of various ideas. As soon as [my family and I] moved to Queens, from Manhattan, I began seeing a whole lot of these things throughout my neighborhood. As I’d go into completely different neighborhoods it might simply begin creeping up on the market, within the periphery, these attention-grabbing moments in vernacular structure. Slowly I began including these [photos] into the web site.

I’ve all the time type of had an curiosity in geographies and territories—what includes self-described neighborhoods, or cities, or international locations, you realize? These sorts of notions of identification and place. So I believed I’d hold exploring as a result of there appears to be a really completely different angle right here in Queens. After dwelling in Manhattan for 10 years, particularly with the area constraints and the density, there isn’t an excessive amount of of a chance to be so individualistic and expressive with the housing inventory. However I sensed in Queens there was. So slowly, [photographing homes in Queens] grew to become a type of a routine, a type of full-body expertise. It was simply taking these little bites out of the Queens apple, because it have been, for a very long time.

What did a typical shoot day seem like for you?

There have been a whole lot of constraints as soon as I noticed, “Okay, I need an evenly lit photograph with cloud cover.” It grew to become a really analytical factor, it was virtually completed in a scientific method, to get every of those homes collectively in the identical format. The first step was mainly to see that there have been going to be clouds—I used to be cross-referencing three completely different climate apps to be as positive as I may. Even at present, I’m seeing the cloud cowl and I’m getting a bit antsy, like, “I need to be out there.” It grew to become very psychological. In order that was the 1st step. I additionally needed to see what sort of time availability I had. So if I had an hour I’d clearly do one thing fast close by, and simply take a look at the categorical trains. I needed to get to know the system very intimately. What I discovered, in the long run, is that each neighborhood, truly each block, has some attention-grabbing homes.

Are you aware what number of homes you photographed?

It’s within the 1000’s, possibly three or 4 thousand. Most of those images are of a home’s facade … a home portrait. However then in a whole lot of instances, it might be a element, an decoration, the entrance space or the entrance yard space. These entrance yard areas are a few of my favorites. There’s an entire mixture of this kind of suburban backyard and concrete high quality of the entrance yard area. It’s very distinctive in Queens.

Within the e-book, you talked about that you just spoke to a number of the residents of those properties. Are you able to discuss a little bit bit about a few of these exchanges, and what you realized from them?

Most common interactions have been, “Why are you photographing my house?” And I’d reply, “Well, I really like what you’ve done here, it’s very interesting and unorthodox and personal. It just brings a sense of sort of participating in the public realm that you normally don’t get in a lot of places in New York.” However, you realize, with the assistance of my Spanish, in a whole lot of instances I used to be in a position to discuss to folks. I’d generally ask a neighbor in the event that they have been outdoors what they considered their neighbor’s residence. “Es su casa, they can do what they want with it,” they’d say. There is that this very tolerant angle, there’s a whole lot of respect. However I feel behind it’s this tolerance, like, “Look we’re all immigrants here, we all want to do our thing and be expressive and whatever property we have is ours to do as we please,” you realize?

I actually loved speaking to folks and seeing that they’re making an attempt in lots of instances to convey one thing from “home.” A terrific majority of [these houses] have been reworked. Like I discussed within the intro, folks placing Spanish tile on Tudor homes—it’s one layer on high of one other. There’s this man in Richmond Hill, who’s Guyanese, and he painted his Queen Anne home fully turquoise. Monochromatic, no trim, nothing, all turquoise. He was there in entrance of his home and I managed to speak to him. He even invited me into his yard, which was additionally all turquoise. He stated he wished to be reminded of the Caribbean Sea, and that’s the type of colour that makes issues really feel alive. In most locations on the planet, the constructing inventory is much more colourful than it’s right here. Right here, folks come and issues look actually drab. As an illustration, it’s tough coming again and going residence after our journeys. You discover all the grey and brown, and a type of airtight, box-like really feel. Whereas you go to different locations and it’s open and colourful.

Within the foreword of the e-book you talked about Bernd and Hilla Becher, and the way you tried to shoot on overcast days like they did. Did you look to every other photographers or artists for inspiration alongside the best way?

The Bechers began the Dusseldorf College, in Germany—possibly you’ve seen this man, [Andreas] Gursky, who does these super-large pictures which might be panoramas of supermarkets in China. It’s a whole lot of density and small selection. He had a MoMA present that was fairly well-liked 10 or 15 years in the past. Anyhow, there’s a bunch of photographers that got here out of [that school]. There are additionally some photographers in Hong Kong which might be a few of my favorites. Michael Wolf is among the photographers that actually regarded on the constructed setting of Hong Kong in an analogous manner.

I like to explain my venture as a mixture between architectural pictures, which usually prioritizes the construction and doesn’t have folks too prominently within the pictures, and avenue pictures. [Street photography] is much more private and focuses extra on the pleased accidents and life shifting round you—that’s a component of Queens. A avenue photographer I like loads is Saul Leiter. There’s additionally a present avenue photographer, David Rothenberg, and he’s photographed in Queens. He simply put out an incredible e-book concerning the Jackson Heights 7 practice station, Roosevelt Station, it’s known as. It’s largely folks and light-weight coming via. There’s one other with airplanes flying over East Elmhurst, known as Touchdown Lights Park. These [images] characteristic planes mixing with the structure—a whole lot of occasions you’re wanting on the idiosyncrasies of the structure after which a aircraft is added into the combo. I discover his work so contemporary and so reflective of what present-day Queens is. In some methods, these components type of are solidified into an architectural type, within the homes that I’ve photographed and featured. I observe a couple of photographers, though I strive to not distract myself an excessive amount of with different folks’s tasks.

How do you assume having a twin perspective, as each a photographer and an architect, has knowledgeable this venture?

I’m conscious of all of the “rules” persons are “breaking” and the historic kinds and traditions—for me that’s the humor of it a little bit bit. These buildings the place folks simply do what they are going to with historic types, after which in a whole lot of instances modernize them, simply by stripping away stuff or flattening them. That was very attention-grabbing. What I’m actually reflecting on as an architect is the foundations of structure in residential structure, as a result of in a manner it’s similar to cooking or dressing or anything—it’s private. Folks type of do their very own factor and should DIY it for essentially the most half. It doesn’t must be so excessive design.

This type of aspirational [idea] of getting a excessive design product, a dwelling product, I feel is simply the mistaken angle—it’s type of a consumerist angle. It’s, in the long run, very rigid, as a result of you possibly can’t simply add or slap on issues. You want one thing that’s not as treasured which you can develop with. I feel that’s what I really like about Queens. What folks listed below are including to their homes isn’t for the aim of the market. It’s extra that they will take pleasure in their home, they will signify their home, it’s their ancestral residence. There is that sense that that is the house base, type of what it’s possible you’ll really feel if you return to your loved ones’s residence in Queens. And other people in Queens don’t wish to sacrifice that.  ❖

Brittany Natale, a born-and-raised New Yorker, is a contract author who typically writes concerning the metropolis’s vibrant historical past and tradition. Her work has appeared within the Village Voice, i-D, and Teen Vogue, amongst different publications.





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